Once upon a Time in Oz

Once upon a time - and the story begins.

Wherever people go they carry their personal and cultural stories with them. Storytelling is a mechanism for reflecting on what it is to be human in time and space; a fairy tale compass to navigate the world. Whether relayed around campfires or told in multi-million-dollar extravaganzas on the big screen, the impulse to tell stories that help make sense of the world, engage with others, validate our existence, and guide us through life...
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Once upon a time - and the story begins.

Wherever people go they carry their personal and cultural stories with them. Storytelling is a mechanism for reflecting on what it is to be human in time and space; a fairy tale compass to navigate the world. Whether relayed around campfires or told in multi-million-dollar extravaganzas on the big screen, the impulse to tell stories that help make sense of the world, engage with others, validate our existence, and guide us through life lessons, is something essentially human.

Fairy tales endure because their messages still speak as strongly and clearly to people today as they ever did - hidden within the metaphoric codes of princes, witches, curses and towers, insurmountable tasks, elaborate tests and exaggerated trials. We all have the same dragons in our psyche, as Ursula K Le Guin once said. Fairy tales tell us it is possible to face these dragons, these ogres of our darkest imaginings, and triumph over them.

Australia is a story as well as a place. The Aboriginal place was telling itself for at least those sixty-thousand years, while outside Australia existed only in the imaginations of people in the northern hemisphere, a Great South Land below the equator. The shocking, defining moment in 1788 when the First Fleet landed fractured the backbone of the story, and set off a whole galaxy of further plots and subplots that continue to play out.

A country's living, dreaming imagination is a concept about which Australia's First Peoples know so much and speak so eloquently. We have inherited the stories of Europe, the tales of the brothers Grimm and the Bible that came in the memories and books of settlers over the past two hundred years, and we are increasingly integrating the stories of other cultures and civilisations in this region.

In Once Upon a Time in Oz, Griffith REVIEW holds up an enchanted mirror to explore the role of fairy and folk tales across cultures in this country, and creates new ones. For many, coming to Australia meant leaving centuries of fairy tales, myths and legends behind and falling painfully onto the hard and naked ground. How did immigrants re-weave a cushion of stories encompassing the new narratives of place: the unforgiving harsh landscape; the lost or stolen child; the gods and goddesses of sport; the heroes of war; outlaws and larrikins and mateship; bushrangers and magic puddings? What are the tales that preoccupy, entertain and guide the culture today in the land of Oz? How did they make their way here? What has happened to them over time?

Once Upon a Time in Ozpresents new stories by renowned writers including Cate Kennedy, Arnold Zable, Ali Alizadeh, Tony Birch, Marion Halligan, Margo Lanagan and Bruce Pascoe. Other writers including Kate Forsyth, Michelle Law, Jane Sullivan, Lucy Sussex and John Bryson examine through essay and memoir some of the mysteries of storytelling. And David Rowe takes us 'Down the Abbott Hole' in a cartoon essay. Once Upon a Time in Ozfeatures Carmel Bird as contributing editor.

Julianne SchultzAM FAHA is the founding editor of Griffith REVIEW, Australia's most awarded and extracted quarterly, produced by Griffith University and Text Publishing. She is a professor in the Griffith Centre for Cultural Research, a member of the boards of the ABC and the Grattan Institute, and chair of the Australian Film Television and Radio School. Julianne is an acclaimed author, and in 2009 became a Member of the Order of Australia for services to journalism and the community.