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Abbey Theatre Reads

Plus the Confirmation Suit by Brendan Behan: Poetry, Kavanagh back to Keats

Abbey Theatre Reads( )
Author: Kavanagh, Patrick
Yeats, W. B.
MacNeice, Louis
Spender, Stephen
Burns, Robert
Tennyson, Alfred Lord
Betjeman, John
Keats, John
Auden, W. H.
Behan, Brendan
de la Mare, Walter
Lear, Edward
Mangan, James Clarence
De Vere, Aubrey
Byron, George Gordon
Belloc, Hilaire
Hopkins, Gerard Manley
Wordsworth, William
Thomas, Dylan
Campbell, Roy
Read by: McGovern, Barry
O'Sullivan, Philip
McCann, Donal
Cave, Desmond
Barrington, Kathleen
Produced by: Barrington, Kathleen
Music by: Doherty, Jim
Series title:The Abbey Theatre Reads Ser.
ISBN:978-1-57970-376-9
Publication Date:May 2006
Publisher:Pavilion Publishers
Imprint:Audio-Forum
Book Format:CD-Audio
List Price:USD $15.95
Author Biography
Kavanagh, Patrick (Author)
"My life has in many ways been a tragedy and a failure," wrote Patrick Kavanagh toward his death. Born in Innishkeen, County Monaghan, Kavanagh ended his formal education after grammar school. He lived on a farm in his native parish until moving to Dublin in 1939, which he later described as one of the great mistakes of his life. There he supported himself primarily through journalism until awarded a sinecure of #400 a year for extramural lectures at University College, Dublin. After an illness in the mid-1950s, he grew resigned to obscurity and mellowed in his long literary war with both Irish repression and the Irish literary establishment. Besides his journalism, he also wrote novels of an autobiographical type.

Sprung from Roman Catholic peasant stock, Kavanagh saw himself as voicing his own heritage against more anglicized (and more famous) writers. His first volume, Ploughman and Other Poems, established the rural themes that mark much of his verse. His best-known, and perhaps his greatest poem, The Great Hunger (1942), follows a potato farmer named Patrick Maguire through the famine of the 1840s and presents a blistering attack on the sexual and spiritual deprivation of rural Irish peasantry. Kavanagh later criticized the poem as lacking humor, and his subsequent work shows a more temperate acceptance of the ironic comedy of life, as in "Canal Bank Walk."

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