Asymmetric Labors

The scenes are familiar ones: the scribe of the gallery plaque, the bespectacled figure hurrying from the archive to the classroom, the designer reluctantly forced to write to make her tenure case, the turtlenecked critic summoned to embellish the panel at a biennale. As in many professions, the architectural historian or theorist comes in many forms. Unlike most professions, though, the figure most be made to explain herself. Not at all wed to art historical methodologies, nor...
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The scenes are familiar ones: the scribe of the gallery plaque, the bespectacled figure hurrying from the archive to the classroom, the designer reluctantly forced to write to make her tenure case, the turtlenecked critic summoned to embellish the panel at a biennale. As in many professions, the architectural historian or theorist comes in many forms. Unlike most professions, though, the figure most be made to explain herself. Not at all wed to art historical methodologies, nor interested in drawing connections between his intellectual project and built offerings, all the while refusing to identify as either a scientist or humanist. Who is this person? What is their work?