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Pirandello's Love Letters to Marta Abba

Pirandello's Love Letters to Marta Abba( )
Author: Pirandello, Luigi
Edited and Translated by: Ortolani, Benito
Series title:Princeton Legacy Library
ISBN:978-0-691-03499-7
Publication Date:Apr 1994
Publisher:Princeton University Press
Book Format:Hardback
List Price:USD $55.00
Book Description:

In February 1925, the 58-year-old world-famous playwright Luigi Pirandello met Marta Abba, an unknown, beautiful actress less than half his age, and fell in love with her. She was to become, until his death in December 1936, not only his confidante but also his inspiring muse and artistic collaborator, helping him in his plans to reform Italian theater under the Fascist regime. Pirandello's love for the young actress was neither a literary infatuation nor a form of fatherly...
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Book Details
Pages:440
Detailed Subjects: Literary Criticism / European / Italian
Literary Collections / Letters
Physical Dimensions (W X L X H):6 x 9 x 1.38 Inches
Book Weight:1.812 Pounds
Author Biography
Pirandello, Luigi (Author)
Born in Sicily, Pirandello attended the universities of Palermo, Rome, and Bonn. He obtained his doctorate in philology with a thesis on the dialect of his native town, Agrigento before settling in Rome to teach and write. In 1894, he married a Sicilian girl, Antonietta Portulano, who bore him three children before she went mad and afterwards provided the inspiration for many of his stories and plays. In all, Pirandello wrote 6 novels, some 250 short stories, and about 50 plays. It was a novel, Il fu Mattia Pascal (1904), that first brought him fame. Only in 1920, when he was past 50, did he turn seriously to playwriting. His first stage success had been a comedy, Liola (1917), written in the Agrigento dialect. It took its theme, if not its mood, from the Mandragola of Machiavelli (see Vols. 3 and 4). In 1921, Pirandello presented his most famous play Six Characters in Search of an Author. Here he seeks to confuse his spectators, who are forced into a paradox of reality and illusion when six "characters" search out the actors of a theatrical troupe to play out their inexorable story. The play exemplifies the Pirandellian conflict between art, which is unchanging and constant, and life, which is a continuous succession of mutations. Pirandello deliberately destroyed the traditional boundaries between audience and spectacle, reflecting the relativity and subjectivity of human existence. The play's unconventional format, which resulted in a riot, established Pirandello as Europe's leading avant-garde dramatist.

The main body of Pirandello's plays falls into three overlapping categories, the first exploring the nature of the theater, the second the complexities of personality in the etymological or dramatic sense of the term, and the third rising to dramatic representation of the categorical imperatives of social, religious, and artistic community. Besides the world-famous Six Characters in Search of an Author (1918), his best plays in the three categor



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