A Proper Definition for the Earliest Adiastematic Notations of Gregorian Chant

The framework time of music is almost defined in each century of our history. Conversely, this situation is not the same between the first medieval period and late antiquity. The vision of music's history has not provided an evident understanding of these differences, which includes several centuries from the start: a condition melted in a sort of accepted reality, even if there are impediments about the layout of this subject. Augustine's writings about time and liturgy was an...
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The framework time of music is almost defined in each century of our history. Conversely, this situation is not the same between the first medieval period and late antiquity. The vision of music's history has not provided an evident understanding of these differences, which includes several centuries from the start: a condition melted in a sort of accepted reality, even if there are impediments about the layout of this subject. Augustine's writings about time and liturgy was an influential model on how to represent history: a referral point for our comprehension. However, the peculiar approach in which Augustine's model grows out of liturgical practice mixes the dimensions of time. Two clashing approaches on how medieval people and moderns perceived history are represented. The complexity was contemplated but never finalized inside Gregorian chant.This publication focuses on the characteristics of the passages specific for the earliest medieval period, with the topic of that time: the word. Words established a powerful generative aid, and the chant was the exegesis of the text.