Art and Emancipation in Jamaica Isaac Mendes Belisario and His Worlds |
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| Editor:
| Barringer, Tim
Forrester, Gillian |
| Author:
| Martiniz-Ruiz, Barbaro |
| Contribution by:
| Banfield, Stephen
Bilby, Kenneth
Hall, Catherine
Hall, Stuart
Snyder, Holly
Kriz, Kay Dian
Shepherd, Verene
Thompson, Robert Farris |
| ISBN: | 978-0-300-11661-8 |
| Publication Date: | Dec 2007 |
| Publisher: | Yale University Press
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| Book Format: | Hardback |
| List Price: | AUD $114.00 |
Book Description:
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Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s. Focusing on the visual and material culture of slavery and emancipation in Jamaica, it offers new perspectives on art,...
More Description
Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s. Focusing on the visual and material culture of slavery and emancipation in Jamaica, it offers new perspectives on art, music, and performance in Afro-Jamaican society and on the Jewish diaspora in the Caribbean. Central to the book is Sketches of Character (1837-38)--a remarkable series of lithographs by the Jewish Jamaican artist Isaac Mendes Belisario--the earliest visual representation of the masquerade form Jonkonnu. Innovative scholarship traces the West African roots of Jonkonnu through its evolution in Jamaica and continuing transformation today; offers a unique portrait of Jamaican culture at a pivotal historical moment; and provides a new model for interpreting the visual culture of empire.