SS_The Notes of Crazy Girl Part One |
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| Author:
| Novikova, Inna |
| ISBN: | 978-0-6450785-2-7 |
| Publication Date: | Mar 2021 |
| Publisher: | Second Violin Pty Ltd
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| Book Format: | Downloadable audio file |
| List Price: | AUD $15.99 |
Book Description:
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Dark humour raw psychological thriller with a sprinkle of prose. Told lightly and with an accent, The Notes of Crazy Girl is full of music, emotions and disorders. To be a good conductor one must be conducted first. The story follows a young musician. She is highly creative, an overthinker, she notes things down, her mind is often in dreamy loops. She meets a man who like mind-webs. He plays her for a while and she lets him, she has issues. Her mind goes in loops. A few...
More DescriptionDark humour raw psychological thriller with a sprinkle of prose. Told lightly and with an accent, The Notes of Crazy Girl is full of music, emotions and disorders. To be a good conductor one must be conducted first. The story follows a young musician. She is highly creative, an overthinker, she notes things down, her mind is often in dreamy loops. She meets a man who like mind-webs. He plays her for a while and she lets him, she has issues. Her mind goes in loops. A few rounds of the game and she discovers the secret of his conducting game and gets back at him. But just knowing the secret is not enough! "Why did this happen to me?" she notes down. No, no, work on one's self is never a waste. The emotional ride sparks her creativity even more and she begins to compose a musical piece. It's a big piece, a concerto. After meeting two more man who play the same game she digs deeper into the Why-question? It becomes obvious the problem is within her. Her mind goes in loops. She is an over-thinker. She makes more notes. And now as never she's fired up to find the answer to her question. "Why?" she asks. She also struggles to reach the Essential Structural Closure for her concerto. Why? Why? Why? She is an overthinker and oh!? yes her mind goes in loops. She concludes that the best way to find her answer is to embrace the game and play along, and she begins to study conducting herself. As her concerto develops she realises it's a dangerous play. But is she a guest conductor or did she own the stage this whole time?