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The Orton Diaries

The Orton Diaries( )
Author: Orton, Joe
Editor: Lahr, John
Publication Date:Jun 2013
Publisher:Methuen Publishing Limited
Book Format:Paperback
List Price:AUD $29.95
Book Description:

Unexpurgated insight into the life of one of British theatre's most controversial figures of the 1960s. From December 1966 until his murder in August 1967, Joe Orton kept a series of diaries, which are one of the most candid and unfettered accounts of that remarkable era. The diaries chronicle frankly and hilariously the literary successes (capped with an Evening Standard Award and overtures from the Beatles), the rejection of all conventions, and the astonishing sexual adventures (at...
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Book Details
Author Biography
Orton, Joe (Author)
Born in Leicester, Orton trained as an actor but soon turned to writing plays instead. Before his career had barely begun, however, he was murdered by his homosexual lover, apparently in a fit of jealousy over his success.

Orton's shocking murder is too easily made the biographical focus for discussion of his plays, devoted as they are to the grotesque, the perverse, and the violent. A more relevant landmark in the playwright's life might be the jail term he served for the bizarre crime of defacing library books, replacing illustrations with uproarious collages, and rewriting jacket blurbs in "mildly obscene" parodies of journalistic cliche. Assaulting the cultural consumer by transposing familiar icons and vocabulary was the key to Orton's theatrical method. But it was supplemented by a growing verbal power and stage imagery with aspirations to myth.

As Orton's literary powers grew, so did the outrage of social response. The Pinterian ambiance and language of his first works, Entertaining Mr. Sloan (1964) and the radio play The Ruffian on the Stair (1966), were well received. Sloane was chosen best new British play of 1964 and won the blessing of Terence Rattigan himself. But Loot, joking with death, religion, sex, and family, proved more disturbing (it involves a slapstick charade centered on a corpse and a coffin). The first production, directed by Peter Wood, closed on tour without reaching London. It was not until 1966 that the play was staged, to acclaim, in Charles Marowitz's fringe theater. In 1969, What the Butler Saw failed in the West End, despite a cast of many famous names, including Ralph Richardson. Only the Royal Court revival of 1975 gave Orton's undoubted masterpiece its due. But by then the playwright had been dead for eight years.

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