Theatre and Cartographies of Power Repositioning the Latina/o Americas |
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Editor:
| Santana, Analola Noriega, Jimmy A. |
Contribution by:
| Luna, Violeta Dubatti, Jorge Diéguez, Ileana Vallejo Aristizábal, Patricio Ott, Gustavo Guterman, Gad Herrera, Brian Eugenio Taylor, Diana Cruz, Migdalia La Hoz, Diego Grise, Virginia Zien, Katherine Minchillo, Carlos Cortez León Mora, Concepción Castillo, Debra A. Romero, Elaine Rizk, Beatriz Avila Harper, Roxana Aramburo, Diego Correa, Ana Sweeney, April Hadad, Astrid García Abreu, Eberto B. Kuri, Claudio Valdés Graham-Jones, Jean Martinez, Alma Alvarez, Natalie Báez, Josefina Huerta, Jorge Verdecchia, Guillermo |
Translator:
| White-Nockleby, Anna Marín Pineda, Alejandra Szwaja Franken, J. Engel Carranza, Paul Guterman, Gad Garcia, Armando McDonald, Kevin G. Villanueva, Judith Iliana Herrera-Lasso, Martha Garza, Hector |
ISBN: | 978-0-8093-3631-9 |
Publication Date: | Jan 2018 |
Publisher: | Southern Illinois University Press
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Book Format: | Paperback |
List Price: | AUD $64.00 |
Book Description:
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From the colonial period to independence and into the twenty-first century, Latin American culture has been mapped as a subordinate "other" to Europe and the United States. In reaction to these shifting power dynamics, theatre scholars and artists have continuously rewritten and remapped Latina/o American cultural histories.
Theatre and Cartographies of Power: Repositioning the Latina/o Americas, edited by Jimmy A. Noriega and Analola Santana, reconsiders geographical...
More Description From the colonial period to independence and into the twenty-first century, Latin American culture has been mapped as a subordinate "other" to Europe and the United States. In reaction to these shifting power dynamics, theatre scholars and artists have continuously rewritten and remapped Latina/o American cultural histories. Theatre and Cartographies of Power: Repositioning the Latina/o Americas, edited by Jimmy A. Noriega and Analola Santana, reconsiders geographical space and power and the ways in which theatrical and performance histories have been constructed throughout the Americas. Essays bridge political, racial, gender, class, and national divides that have traditionally restricted and distorted our understanding of Latin American theatre and performance.