Avant Garde for the New Millennium

From the introduction: "I began this anthology to dispel the illusion that we are in a famine age of literature and the result surprised even me in how powerfully it shattered that misconception." Words are slippery things and though we have bridled them with grammar, feel at ease in the presence of a common turn of phrase, they have not been completely tamed. And there are still writers who are both brave and foolhardy enough to let words out of their cages, feed them despite the...
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From the introduction: "I began this anthology to dispel the illusion that we are in a famine age of literature and the result surprised even me in how powerfully it shattered that misconception." Words are slippery things and though we have bridled them with grammar, feel at ease in the presence of a common turn of phrase, they have not been completely tamed. And there are still writers who are both brave and foolhardy enough to let words out of their cages, feed them despite the signs that clearly state not to and prod them with sticks to see what they might do. Editor Forrest Armstrong has gone in search of these experimenters, alchemists of verbiage, who wrestle with words in dark places and return with something newly minted, transmogrified and fresh for us to puzzle over. "Avant-garde is by definition work on the front line of art, and I accepted every single piece of writing in this anthology because of how fresh it is, how differently the writer approaches his or her art."