Between Actor and Critic

Sarah Bernhardt, London, his own acting--Edwin Booth commented on these and hundreds of other subjects in letters to William Winter, friend of twenty years and drama critic for the New York Tribune. Since he wrote neither autobiography nor diary, the letters constitute the fullest and most detailed record of Booth's career between 1869 and 1890, and arc a new and significant source of information about the actor. The 125 letters which Daniel Watermeier has...
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Sarah Bernhardt, London, his own acting--Edwin Booth commented on these and hundreds of other subjects in letters to William Winter, friend of twenty years and drama critic for the New York Tribune. Since he wrote neither autobiography nor diary, the letters constitute the fullest and most detailed record of Booth's career between 1869 and 1890, and arc a new and significant source of information about the actor.

The 125 letters which Daniel Watermeier has selected and arranged in this volume are fully annotated; each is preceded by a headnote which provides an introduction to its content and narrative continuity from one letter to the next. Mr. Watermeier's introduction includes biographical sketches of Edwin Booth and William Winter and sets the context of their friendship.

With few exceptions, the Booth-Winter letters have not hitherto been made public. They represent a major addition to studies of Edwin Booth and to the history of the American theater.

Originally published in 1971.

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