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Coherence, Counterpoint, Instrumentation, Instruction in Form (Zusammenhang, Kontrapunkt, Instumentatiar, Formenlehre)

Coherence, Counterpoint, Instrumentation, Instruction in Form (Zusammenhang, Kontrapunkt, Instumentatiar, Formenlehre)( )
Author: Schoenberg, Arnold
Editor: Neff, Severine
Translator: Neff, Severine
Cross, Charlotte
ISBN:978-0-8032-4230-2
Publication Date:Jun 1993
Publisher:University of Nebraska Press
Book Format:Hardback
List Price:USD $55.00
Book Description:

Only Stravinsky can claim as much credit as Schoenberg for the most dramatic innovations in twentieth-century music. Inventor of the twelve-tone row, explorer of atonality and the hexachord, composer of tone poems, songs, and chamber music, and chief spokesman for the Vienna Circle, Schoenberg has become ever more influential as his successors have come to understand him. nbsp; Fuller understanding has been delayed because many of his writings have not yet...
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Book Details
Pages:135
Detailed Subjects: Music / Instruction & Study / Theory
Music / Instruction & Study / Composition
Music / Instruction & Study / Techniques
Physical Dimensions (W X L X H):7 x 10 x 0.83 Inches
Book Weight:1.5 Pounds
Author Biography
Schoenberg, Arnold (Author)
An American of Austrian birth, Arnold Schoenberg composed initially in a highly developed romantic style but eventually turned to painting and expressionism. At first he was influenced by Richard Wagner and tried to write in a Wagnerian style. He attracted the attention of Alban Berg and Anton von Webern, with whom he created a new compositional method based on using all 12 half-steps in each octave as an organizing principle, the so-called 12-tone technique. His importance to the development of twentieth-century music is incredible, but the music he composed using this new method is not easily accessible to most concertgoers. 020



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