Counterrealism and Indo-Anglian Fiction

What do R. K. Narayan, G. V. Desani, Anita Desai, Zulfikar Ghose, Suniti Namjoshi and Salman Rushdie have in common? They represent Indian writing in English over five decades. Vilified by many cultural nationalists for not writing in native languages, they nonetheless present a critique of historical and cultural conditions that promoted and sustained writing in English. They also have in common a counterrealist aesthetic that asks its own social, political and textual questions. This...
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What do R. K. Narayan, G. V. Desani, Anita Desai, Zulfikar Ghose, Suniti Namjoshi and Salman Rushdie have in common? They represent Indian writing in English over five decades. Vilified by many cultural nationalists for not writing in native languages, they nonetheless present a critique of historical and cultural conditions that promoted and sustained writing in English. They also have in common a counterrealist aesthetic that asks its own social, political and textual questions. This book is about the need to look at the tradition of Indian writing in English from the perspective of counterrealism. The departure from the conventions of mimetic writing not only challenges the limits of realism but also enables Indo-Anglian authors to access formative areas of colonial experience. Starting with R. K. Narayan, the book analyzes several authors including G. V. Desani, Anita Desai, Zulfikar Ghose, Suniti Namjoshi and Salman Rushdie, in order to demonstrate patterns of continuity and change during the last five decades. Each chapter draws attention to what is distinctive about the artifice in each author while pointing to the features that connect them.; The book concludes with a study of contemporary writing and its commitment to non-mimetic forms.