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Fornalutx

Selected Poems, 1928-1990

Fornalutx( )
Author: Layton, Irving
ISBN:978-0-7735-0963-4
Publication Date:Nov 1991
Publisher:McGill-Queen's University Press
Book Format:Paperback
List Price:USD $27.95
Book Description:

Nominated twice for the Nobel Prize, Irving Layton is Canada's most dynamic, controversial, and outspoken poet. His prolific verse reveals his Judaic heritage, his love of women, and his fury and fever for life. This volume of 150 poems, which takes its title from the opening poem, is a new selection from Layton's work between 1928 and 1990, chosen to give a complete picture of the poet his vision, tone, celebration, attack, defence, disharmony, and "the external dualisms of...
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Book Details
Pages:208
Detailed Subjects: Poetry / General
Physical Dimensions (W X L X H):6 x 9 x 0.7 Inches
Book Weight:0.75 Pounds
Author Biography
Layton, Irving (Author)
Irving Layton was born in Romania in 1912; a year later he and his parents arrived in Montreal. Educated in the same city, he received his Bachelors of Scince in agriculture from Macdonald College and an M.A. in political economy from McGill University. Throughout his career Layton has been writer-in-residence at several Canadian universities. Easily the most controversial Canadian poet, he was professor of English at Toronto's York University, a post from which he retired in 1978.

Layton's verse has been variously described as dazzling, vulgar, sexist, and hyperbolic, yet Layton has always redeemed himself by the integrity with which he approaches his craft. His poetry avoids sentimentality, often centering on decidedly unpoetic, mundane images. Layton is a self-proclaimed "public exhibitionist," and his frank, bawdy verse and antagonist persona have tended to alienate him from both intellectual circles and the general public.

Layton has published 40 or so volumes of poetry, some with outrageous titles such as The Gucci Bag (1983), For My Brother Jesus (1976), and Droppings from Heaven (1979). Much of his work is in print, a testament to his continuing popularity, and supports his declaration that the "poet has a public function as a prophet."

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