From Xenakis's UPIC to Graphic Notation Today |
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| Composed by:
| Xenakis, Iannis |
| Editor:
| Weibel, Peter
Brummer, Ludger
Kanach, Sharon |
| Text by:
| Barrett, Richard |
| ISBN: | 978-3-7757-4741-7 |
| Publication Date: | Jun 2020 |
| Publisher: | Hatje Cantz Verlag GmbH & Co KG
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| Book Format: | Hardback |
| List Price: | USD $55.00 |
Book Description:
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On the legacy of Xenakis' innovations in music notation for contemporary composers
Trained in mechanical engineering, Greek-French composer Iannis Xenakis (1922-2001) transformed mathematical models into architectonic musical entities. In the late 1970s Xenakis developed a digital apparatus that rendered waveforms drawn on a tablet as musical compositions. The device was called UPIC, or Unité Polyagogique Informatique du CEMAMu, named for the French contemporary...
More Description
On the legacy of Xenakis' innovations in music notation for contemporary composers
Trained in mechanical engineering, Greek-French composer Iannis Xenakis (1922-2001) transformed mathematical models into architectonic musical entities.
In the late 1970s Xenakis developed a digital apparatus that rendered waveforms drawn on a tablet as musical compositions. The device was called UPIC, or Unité Polyagogique Informatique du CEMAMu, named for the French contemporary music research institute that Xenakis had helped found a decade earlier. The device proved to be an essential tool for the development of contemporary music--a version of the software is still used by today's composers.
Featuring archival materials, this book examines the origins of Xenakis' UPIC. It also serves as a compositional tool: embedded QR codes allow readers to create their own sound-images from UPIC compositions.