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Hung Lou Meng, Book I or, the Dream of the Red Chamber

Hung Lou Meng, Book I or, the Dream of the Red Chamber( )
Author: Cao Xue Qin,
Joly, H.
ISBN:978-1-4921-4085-6
Publication Date:Aug 2013
Publisher:CreateSpace Independent Publishing Platform
Book Format:Paperback
List Price:USD $12.99
Book Description:

Dream of the Red Chamber composed by Cao Xueqin, is one of China's Four Great Classical Novels. It was written in the middle of the 18th century during the Qing Dynasty. It is considered a masterpiece of Chinese literature and is generally acknowledged to be the pinnacle of Chinese fiction. "Redology" is the field of study devoted exclusively to this work.Red Chamber is believed to be semi-autobiographical, mirroring the rise and decay of author Cao Xueqin's own family and, by...
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Book Details
Pages:384
Physical Dimensions (W X L X H):6 x 9 x 0.87 Inches
Book Weight:1.44 Pounds
Author Biography
Cao Xue Qin (Author)
Born into a wealthy clan of bondservants to the Manchu imperial family that for three generations had controlled China's textile monopoly in Nanking, Cao Xue Qin (also known as Ts'ao Chang) spent his childhood and adolescence in a large extended family surrounded by opulence. When Cao was 13, in 1728, the Yung-cheng emperor, suspicious of the Cao family's possible ties to rival claimants of the throne and dissatisfied with their performance in Nanking, confiscated the family property. The family was forced to move to Peking and spend the rest of their lives in greatly reduced circumstances.

In his lonely middle years, Cao comforted himself by composing the brilliant long novel known as The Dream of the Red Chamber (1792) and also as The Story of the Stone. The work is both a nostalgic recreation of the golden world of his childhood, and a Buddhist and Taoist warning that worldly achievements and material possessions are vain and unenduring.

The last 40 chapters of the 120-chapter novel were written or edited by a second author, Kao O [Gao E]. That Manchu nobleman more or less followed Cao's original intentions, probably worked from rough drafts of Cao's. However, there is some evidence that Cao originally intended the work to end even more starkly and tragically than it does. Political prudence, however, made it necessary for Kao O to tone down what might have been perceived as criticism of the family's harsh treatment by the emperor.

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