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James Benning

James Benning( )
Author: Slanar, Claudia
Hogg, James
Omasta, Michael
Editor: Usai, Paolo Cherchi
Horwath, Alexander
Pichler, Barbara
Series title:Austrian Film Museum Bks.
ISBN:978-3-901644-23-8
Publication Date:May 2008
Publisher:Synema Gesellschaft fur Film u. Medien
Book Format:Paperback
List Price:USD $32.50
Book Description:

James Benning's films are among the most fascinating works in American cinema. He explores the relationship between image, text and sound while paying expansive attention to the "vernacular landscapes" of American life. This volume traces Benning's artistic career as well as his biographical journey through the U.S., from Wisconsin to the East Coast to Southern California. With contributions by James Benning, Sharon Lockhart, Allan Sekula, Dick Hebdige, Scott MacDonald,...
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Book Details
Pages:280
Detailed Subjects: Performing Arts / Film / General
Business & Economics / Industries / Entertainment
Physical Dimensions (W X L X H):6.63 x 7.644 x 1.161 Inches
Book Weight:1.201 Pounds
Author Biography
Slanar, Claudia (Author)
Son of a Scottish shepherd and descended from minstrels, Hogg led a life that has the fictional quality Thomas Hardy was to capture later in the century in his novels of country life. After meeting Sir Walter Scott in 1802, Hogg adopted the name "Ettrick Shepherd," a pseudonym under which he published original lyrics and ballads.

In 1814 Hogg met William Wordsworth and enjoyed literary friendships in the Lake District, although he parodied the other poets' styles and mannerisms in The Poetic Mirror (1816). He married at age 50 and fathered five children, whom he tried to support by the same kind of unproductive farming at which Robert Burns had labored a generation before. Like Burns, his convivial nature and verbal talents won him a following in fashionable society, especially after the publication of his first novel, The Private Memoirs and Confessions of a Justified Sinner (1824), when he was 53 years old. The first novel to explore psychological aberrations, it traces the collapse of a personality under the pressure of social conformity, native superstition, and religious excess. Since the introduction by Andre Gide to the 1947 Cresset edition, it has acquired an academic following and a new popularity. There is a James Hogg Society, founded in 1982, which publishes a newsletter.

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