Henry Mayhew had a varied career as a London writer of the mid-Victorian period. He was the son of a London solicitor, Joshua Mayhew, who reputedly was a rather tyrannous father. Apparently, Henry was a bitter disappointment to his father; the younger Mayhew had been educated at the Westminster School but, in objection to a flogging he had received, ran away from school and went to sea for a year. On his return, he was articled to his father but after three years, he abandoned the law to seek a career as a journalist and a dramatist.
Mayhew achieved some early success as a dramatist, most notably with his 1834 farce, "The Wandering Minstrel." In the late 1830's, he was the joint editor of a successful satirical weekly, Figaro in London, and later helped to found Figaro's most significant and long-lived successor, Punch. Evidently, a fairly serious rift developed between Mayhew and his magazine colleagues, although the details of this falling-out remain a mystery---one of the many unanswered questions about Mayhew's life.
Mayhew was never without financial worries, and, as a means of making quick money, he collaborated on a number of comic novels with his younger brother, Augustus (1826--75). Their most successful work is "The Greatest Plague of Life" (1847), which was issued in monthly numbers and proved very popular. They followed it with "Whom to Marry and How to Get Married" (1848); later Mayhew singly authored 1851, or, "The Adventures of Mr. and Mrs. Sandbags 1851," (1851). Mayhew's attempt, in 1851, to publish the 82 "letters" he had written for the Morning Chronicle, in which he investigates the plight of London's urban poor, was a financial failure. They were issued in 1861, however, in four volumes under the title London Labour and the London Poor. It is for this classic work that Mayhew is today best known. In it, he unhesitatingly depicts the opprobrium under which most of the London working classes led their lives. In many ways, London