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McTeague

A Story of San Francisco

McTeague( )
Author: Norris, Frank
Editor: Loving, Jerome
Series title:Oxford World's Classics Ser.
ISBN:978-0-19-284059-2
Publication Date:Jan 2001
Publisher:Oxford University Press, Incorporated
Book Format:Paperback
List Price:USD $10.95
Book Description:

McTeague (1899) tells the story of charlatan dentist McTeague and his wife Trina, and their spiralling descent into moral corruption. Norris is often considered to be the `American Zola', and this passionate tale of greed, degeneration, and death is one of the most purely naturalistic American novels of the nineteenth century. It also formed the basis for Erich von Stroheim's cult film, Greed (1923).

Book Details
Pages:384
Detailed Subjects: Fiction / Literary
Fiction / Family Life / Marriage & Divorce
Fiction / Crime
Fiction / City Life
Fiction / Psychological
Physical Dimensions (W X L X H):5.031 x 7.644 x 0.663 Inches
Book Weight:0.572 Pounds
Author Biography
Norris, Frank (Author)
Considered one of the leading pioneers in American Naturalism, Frank Norris is read and studied for his vivid and honest depiction of life at the beginning of a lusty and developing new century. Born in Chicago, he moved to San Francisco with his well-to-do family when he was 14 and went on to attend the University of California and Harvard University before becoming a war correspondent in South Africa and Cuba. His early apprentice work consisted mostly of rather unremarkable adventure stories, but with the long-gestating McTeague: A Story of San Francisco (1899), he struck a new note. That powerful study of avarice in a seedy section of the Bay Area may well be Norris's masterpiece.

The Octopus (1901), the first of Norris's projected Epic of the Wheat series, deals with the raising of wheat in California and the struggle of ranchers against the railroads, while The Pit (1903) is a novel about speculation on the Chicago wheat exchange. Unfortunately, Norris died suddenly after an operation for appendicitis.

Like Stephen Crane, a writer with whom Norris is frequently compared, Norris died too young to fulfill his considerable promise, but he has more than held his own ground among turn-of-the-century writers whose works have lived. One reason may be that he took his craft as a writer seriously, as is shown by his posthumously published Responsibilities of the Novelist and Other Literary Essays (1903) and The Literary Criticism of Frank Norris, edited by Donald Pizer.

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