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Merce Cunningham: Fifty Years (signed Edition)

Merce Cunningham: Fifty Years (signed Edition)( )
Author: Cunningham, Merce
Vaughan, David
Illustrator: Cunningham, Merce
Text by: Vaughan, David
ISBN:978-1-68395-137-7
Publication Date:Jun 2005
Publisher:Aperture Foundation, Incorporated
Imprint:Aperture
Book Format:Hardback
List Price:USD $75.00
Book Description:

Merce Cunningham: Fifty Years incorporates images of performances and rehearsals, along with candid photographs by many important photographers, including Imogen Cunningham, Arnold Eagle, Peter Hujar, James Klosty, Annie Leibovitz, Barbara Morgan, and Max Waldman. The book also features examples of Cunningham's choreographic notes, as well as scores, and set and costume designs by the artists with whom he has collaborated over the years, including William Anastasi, Dove Bradshaw, John...
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Book Details
Physical Dimensions (W X L X H):9.8 x 12.5 x 1.1 Inches
Book Weight:4.84 Pounds
Author Biography
Cunningham, Merce (Author)
American dancer, teacher, and choreographer and a celebrated soloist in the Martha Graham Dance Company from 1940 to 1955, Merce Cunningham participated in the third-generation development of modern dance. Born in Centralia, Washington, he began his career in the second-generation period of the American modern-dance theater under the tutelage of Martha Graham. He later became a creator and choreographer of his own dances and in 1950 established his own dance company.

Through the Merce Cunningham Dance Company, Cunningham taught his students to follow new paths of creativity-to choreograph dances to avant-garde musical compositions, to be free of spatial restraints, to replace a strong central focus with a random approach to choreographic patterns, and to devise dances that could be viewed from any angle. Working with American composer John Cage as musical director, Cunningham taught his students to experiment with dances that used electronic and other newly developed forms of music. His best-known works include Suite by Chance (1952), a work in which a toss of the dice determines the structure, and Symphonie Pour un Homme Seul (1952). Both reveal the spare, expressive style that is the Cunningham hallmark.

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