Return to the Land of the Head Hunters Edward S. Curtis, the Kwakwaka'wakw, and the Making of Modern Cinema |
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| Editor:
| Evans, Brad
Glass, Aaron |
| Foreword by:
| Holm, Bill |
| Series title: | Native Art of the Pacific Northwest: a Bill Holm Center Ser. |
| ISBN: | 978-0-295-74695-1 |
| Publication Date: | Feb 2020 |
| Publisher: | University of Washington Press
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| Book Format: | Paperback |
| List Price: | USD $35.00 |
Book Description:
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Photographer Edward Curtis?s 1914 orchestrally scored melodrama In the Land of the Head Hunters was one of the first US films to feature an Indigenous cast. This landmark of early silent cinema was an intercultural product of Curtis?s collaboration with the Kwakwa?ka??wakw of British Columbia?meant, like Curtis?s photographs, to document a supposedly vanishing race. But as this collection shows, the epic film is not simply an artifact of colonialist nostalgia. ...
More Description
Photographer Edward Curtis?s 1914 orchestrally scored melodrama In the Land of the Head Hunters was one of the first US films to feature an Indigenous cast. This landmark of early silent cinema was an intercultural product of Curtis?s collaboration with the Kwakwa?ka??wakw of British Columbia?meant, like Curtis?s photographs, to document a supposedly vanishing race. But as this collection shows, the epic film is not simply an artifact of colonialist nostalgia.
In recognition of the film?s centennial, and the release of a restored version, Return to the Land of the Head Hunters brings together leading anthropologists, Native American authorities, artists, musicians, literary scholars, and film historians to reassess the film and its legacy. The volume offers unique Kwakwa?ka??wakw perspectives on the film, accounts of its production and subsequent circulation, and evaluations of its depictions of cultural practice. Resituated within film history and informed by a legacy of Kwakwa?ka??wakw participation and response, the movie offers dynamic evidence of ongoing cultural survival and transformation under shared conditions of modernity.