Spike Lee: Director's Inspiration

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)

Artist:

Lee, Spike

Editor:

Jaffe, Dara
Allan, Stacey

Foreword by:

Kramer, Bill

Text by:

Blanchard, Terence
Coleman, Kim
Dunye, Cheryl
Esposito, Giancarlo
Julien, Isaac
Perez, Rosie
Polk, Patrik-Ian
Rees, Dee
Smith, Roger Guenveur
Syms, Martine
Thomas, Wynn

Interviewer:

King, Shaka

ISBN:

978-1-63681-013-3

Publication Date:

Sep 2022

Publisher:

D.A.P./Distributed Art Publishers

Book Format:

Hardback

List Price:

USD $50.00USD $39.95

Book Description:

An inspirational trove of film posters and ephemera, photographs, artwork and more from the collection of Spike Lee

For nearly four decades, Spike Lee has made movies that demand our attention. His extensive filmography reflects an unflinching critique of race relations in the United States, from the Student Academy Award®-winning short Joe's Bed-Stuy Barbershop: We Cut Headsand the ever-relevant Do the Right Thingto the more recent Oscar®-winning...
More Description

Book Details

Pages:	192
Detailed Subjects:	Art / General
Physical Dimensions (W X L X H):	8.5 x 10 Inches
Book Weight:	2.2 Pounds

Author Biography

(Artist)

Directing, writing, and starring in his own films, as did Charlie Chaplin and Orson Welles before him, Lee has arguably had almost as profound an influence on American filmmaking as his predecessors, although in very different ways. In his own words, he is good at "marketing," and what he has marketed is a highly politicized African American cinema that is also commercially viable. Many critics credit Lee with paving the way for a new wave of mass-market yet socially conscious filmmakers, including John Singleton, Charles Lane, and Carl Franklin.

The eldest of six children, Lee was educated first at Morehouse College and then at New York University's film school. His first feature release, She's Gotta Have It (1986), won the Prix de Jeunesse at Cannes and was both critically acclaimed and commercially successful in the United States. Lee went on to make School Daze (1988) and Do the Right Thing (1989), a technically sophisticated film that addressed racism in a complex and controversial fashion. The film constructs a narrative that leaves it to the viewer to decide whether its protagonist, Mookie, has done the right thing when he responds to the death of one of his friends at the hands of the police by throwing a trash can through the window of his employer, who had called the police in the first place. Because a riot ensues, many (white) critics argued that the film celebrated violence, and the press suggested that it would incite black spectators to riot (it did not). Other critics suggested that Mookie actually defuses a riot, by directing the community's anger toward property and away from the police.

Two years later, Lee tackled the subject of interracial relationships in another hotly debated film, Jungle Fever (1991), which some saw as preachy and sexist and others praised as bold and complex. However, his most recent and ambitious film, Malcolm X (1992), has been almost universally acclaimed.

Lee has published a companion text for each

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