Stage-Bound

Since the 1990s many of Canada's best-known filmmakers, such as Denys Arcand, John Greyson and Robert Lepage, have looked to the stage for inspiration. While feature-film adaptations of Canadian plays have become increasingly common, the practice of turning drama into film began in Canada in 1942 when Hilda Hooke Smith's Here Will I Nest was brought to the screen. Some adaptations, such as Wedding in White and Being at Home with Claude, enjoyed a fair measure of success; others, such...
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Since the 1990s many of Canada's best-known filmmakers, such as Denys Arcand, John Greyson and Robert Lepage, have looked to the stage for inspiration. While feature-film adaptations of Canadian plays have become increasingly common, the practice of turning drama into film began in Canada in 1942 when Hilda Hooke Smith's Here Will I Nest was brought to the screen. Some adaptations, such as Wedding in White and Being at Home with Claude, enjoyed a fair measure of success; others, such as Me and Les Célébrations, have fallen into oblivion. Some stayed close to the dramatic structure of the original; others sought to explode the limits of the stage to create a greater cinematic effect. But virtually all adaptations have engaged with, rather than denied, their theatrical origins.