Tell Me a Story, I Don't Care If It's True

In a time when it seems our priorities are placed on certainty and how to control output amidst a plethora of information that also feels protean and deeply influential, drawing out these vignettes was a means of understanding for me. The works were created using colored pencil, graphite and ink at random, yet seeing them collectively, I sense a yearning. As if, in my attempts at understanding the activity of creating them superseded my intentions; the very conundrum I aimed to solve....
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In a time when it seems our priorities are placed on certainty and how to control output amidst a plethora of information that also feels protean and deeply influential, drawing out these vignettes was a means of understanding for me. The works were created using colored pencil, graphite and ink at random, yet seeing them collectively, I sense a yearning. As if, in my attempts at understanding the activity of creating them superseded my intentions; the very conundrum I aimed to solve. Who am I to say what these works mean, but if I present them in such a way as to leave room for others to partake in the translation does that counter the underlying yearning? Exactitude is elusive. Now completed, I'm not where I was when I began the series, but the frame of meaning has tightened. While discussing the series with Reginald Moore, he stated what seems at the crux of this project: "We tend to tell people the things that make us feel better in the telling. It may or may not be what they want or need to hear, but at least we feel better. Is that deceptive or just another means of getting along in the world?" If this is where we gather our truths, then I understand it. In the end, you just don't know. Sometimes, you have to trust yourself.