The Colony of Unrequited Dreams

"The Colony of Unrequited Dreams" is Newfoundland--that vast, haunting near-continent upon which the two lovers and adversaries of this miraculously inventive novel pursue their ambitions. Joey Smallwood, sprung from almost Dickensian privation, is a scholarship boy at a private school, where his ready wit bests the formidably tart-tongued Sheilagh Fielding. Their dual fates become forever linked by an anonymous letter to a local paper critical of the school--a letter whose mysterious...
More Description

"The Colony of Unrequited Dreams" is Newfoundland--that vast, haunting near-continent upon which the two lovers and adversaries of this miraculously inventive novel pursue their ambitions. Joey Smallwood, sprung from almost Dickensian privation, is a scholarship boy at a private school, where his ready wit bests the formidably tart-tongued Sheilagh Fielding. Their dual fates become forever linked by an anonymous letter to a local paper critical of the school--a letter whose mysterious authorship will weigh heavily on their lives. Driven by socialist dreams and political desire, Smallwood will walk a railroad line the breadth of Newfoundland in a journey of astonishing power and beauty, to unionize the workers--and make his name. Fielding, now a popular newspaper columnist, provides--in her journalism, her diaries, and her bleakly hilarious "Condensed History of Newfoundland"--a satirical and eloquent counternarrative to Smallwood's story. As the decades pass and Smallwood's rise converges with Newfoundland's emerging autonomy, these two vexed characters must confront their own frailties and secrets--and their mutual (if doomed) love. The Colony of Unrequited Dreams combines erudition, unflagging narrative brio, and emotional depth in a manner reminiscent of the best of Robertson Davies and John Irving. Set in a landscape already made familiar to American readers by Annie Proulx and Howard Norman, it establishes Wayne Johnston as a novelist who is as profound as he is funny, with an unerringly ironic sense of the intersection where private lives and history collide.