The Cossacks Lev Nikolayevich Tolstoy |
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Translator:
| Schuyler, Eugene |
Author:
| Lev Nikolayevich Tolstoy, Lev Nikolayevich |
ISBN: | 979-8-8477-6626-5 |
Publication Date: | Aug 2022 |
Publisher: | Independently Published
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Book Format: | Paperback |
List Price: | USD $9.99 |
Book Description:
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Count Lev Nikolayevich Tolstoy; 9 September 1828 - 20 November 1910), usually referred to in English as Leo Tolstoy, was a Russian writer who is regarded as one of the greatest authors of all time.[3] He received nominations for the Nobel Prize in Literature every year from 1902 to 1906 and for the Nobel Peace Prize in 1901, 1902, and 1909; the fact that he never won is a major controversy.
Born to an aristocratic Russian family in 1828,[3] Tolstoy's notable...
More Description
Count Lev Nikolayevich Tolstoy; 9 September 1828 - 20 November 1910), usually referred to in English as Leo Tolstoy, was a Russian writer who is regarded as one of the greatest authors of all time.[3] He received nominations for the Nobel Prize in Literature every year from 1902 to 1906 and for the Nobel Peace Prize in 1901, 1902, and 1909; the fact that he never won is a major controversy.
Born to an aristocratic Russian family in 1828,[3] Tolstoy's notable works include the novels War and Peace (1869) and Anna Karenina (1878),[8] often cited as pinnacles of realist fiction.[3] He first achieved literary acclaim in his twenties with his semi-autobiographical trilogy, Childhood, Boyhood, and Youth (1852-1856), and Sevastopol Sketches (1855), based upon his experiences in the Crimean War. His fiction includes dozens of short stories and several novellas such as The Death of Ivan Ilyich (1886), Family Happiness (1859), "After the Ball" (1911), and Hadji Murad (1912). He also wrote plays and numerous philosophical essays.
In the 1870s, Tolstoy experienced a profound moral crisis, followed by what he regarded as an equally profound spiritual awakening, as outlined in his non-fiction work A Confession (1882). His literal interpretation of the ethical teachings of Jesus, centering on the Sermon on the Mount, caused him to become a fervent Christian anarchist and pacifist.[3] His ideas on nonviolent resistance, expressed in such works as The Kingdom of God Is Within You (1894), had a profound impact on such pivotal 20th-century figures as Mahatma Gandhi[9] and Martin Luther King Jr.[10] He also became a dedicated advocate of Georgism, the economic philosophy of Henry George, which he incorporated into his writing, particularly Resurrection (1899).
Tolstoy is considered one of the giants of Russian literature; his works include the novels War and Peace and Anna Karenina and novellas such as Hadji Murad and The Death of Ivan Ilyich.
Tolstoy's earliest works, the autobiographical novels Childhood, Boyhood, and Youth (1852-1856), tell of a rich landowner's son and his slow realization of the chasm between himself and his peasants. Though he later rejected them as sentimental, a great deal of Tolstoy's own life is revealed. They retain their relevance as accounts of the universal story of growing up.
Tolstoy served as a second lieutenant in an artillery regiment during the Crimean War, recounted in his Sevastopol Sketches. His experiences in battle helped stir his subsequent pacifism and gave him material for realistic depiction of the horrors of war in his later work.
His fiction consistently attempts to convey realistically the Russian society in which he lived.[36] The Cossacks (1863) describes the Cossack life and people through a story of a Russian aristocrat in love with a Cossack girl. Anna Karenina (1877) tells parallel stories of an adulterous woman trapped by the conventions and falsities of society and of a philosophical landowner (much like Tolstoy), who works alongside the peasants in the fields and seeks to reform their lives. Tolstoy not only drew from his own life experiences but also created characters in his own image, such as Pierre Bezukhov and Prince Andrei in War and Peace, Levin in Anna Karenina and to some extent, Prince Nekhlyudov in Resurrection. Richard Pevear, who translated many of Tolstoy's works, said of Tolstoy's signature style, "His works are full of provocation and irony, and written with broad and elaborately developed rhetorical devices."