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The Creative Habit

Learn It and Use It for Life

The Creative Habit( )
Author: Tharp, Twyla
ISBN:978-0-7432-3526-6
Publication Date:Oct 2003
Publisher:Simon & Schuster
Book Format:Hardback
List Price:USD $25.00
Book Description:

Creativity is not a gift from the gods, says Twyla Tharp, bestowed by some divine and mystical spark. It is the product of preparation and effort, and it's within reach of everyone who wants to achieve it. All it takes is the willingness to make creativity a habit, an integral part of your life:In order to be creative, you have to know how to prepare to be creative.InThe Creative Habit,Tharp takes the lessons she has learned in her remarkable thirty-five-year career and shares them...
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Book Details
Pages:256
Detailed Subjects: Psychology / Creative Ability
Physical Dimensions (W X L X H):7 x 9 x 0.84 Inches
Book Weight:1.444 Pounds
Author Biography
Tharp, Twyla (Author)
Modern dancer and choreographer Twyla Tharp was born in Portland, Indiana. As a child, Tharp was an accomplished musician, dancer, and athlete. In the early 1960s, she went to New York City to study dance, and she performed with the Paul Taylor Dance Company from 1963 to 1965. Then, in 1965, she formed her own small company, focusing her efforts on choreographing severe modern-dance works. As both a dancer and a choreographer, Tharp is noted for her ability to create dance with a popular appeal without losing integrity or depth. Although her first works were rather somber and highly structured in style, her later works have often captured a more whimsical note. Eight Jelly Rolls (1971), for example, delighted audiences with its dancing set to the jazz piano music of "Jelly Roll" Morton. Other enormously popular works include Coupe (1973), a piece set to music by the Beach Boys, and Push Comes to Shove (1976), which was choreographed for the ballet star Mikhail Baryshnikov. In addition to creating works for her own company, Tharp has created commissioned pieces for a number of other dance companies, for films, and for nondancers in such other entertainment fields as ice-skating and sports. These works include Bach Partita (1984), created for American Ballet Theatre, When We Were Very Young (1980) and The Catherine Wheel (1983), created for Broadway, and dance numbers created for the films Hair (1979) and White Knights (1985). 020



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