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The Improved Binoculars

The Improved Binoculars( )
Author: Layton, Irving
ISBN:978-0-88984-101-7
Publication Date:Oct 1989
Publisher:Porcupine's Quill, Incorporated
Book Format:Paperback
List Price:USD $8.95
Book Description:

The 87 poems included in the first (1956) edition of The Improved Binoculars were selected from the eight volumes the poet published in the first ten years of his career. The publication of the book -- simultaneously by The Ryerson Press (Canada), Migrant Books (England), and Jonathan Williams ( US ) -- did much to establish Layton as a major talent on the international poetry scene and prompted Robert Creeley to note: `Irving Layton may well be for the historian of...
More Description

Book Details
Pages:128
Detailed Subjects: Poetry / General
Physical Dimensions (W X L X H):5.54 x 8.69 x 0.44 Inches
Book Weight:0.576 Pounds
Author Biography
Layton, Irving (Author)
Irving Layton was born in Romania in 1912; a year later he and his parents arrived in Montreal. Educated in the same city, he received his Bachelors of Scince in agriculture from Macdonald College and an M.A. in political economy from McGill University. Throughout his career Layton has been writer-in-residence at several Canadian universities. Easily the most controversial Canadian poet, he was professor of English at Toronto's York University, a post from which he retired in 1978.

Layton's verse has been variously described as dazzling, vulgar, sexist, and hyperbolic, yet Layton has always redeemed himself by the integrity with which he approaches his craft. His poetry avoids sentimentality, often centering on decidedly unpoetic, mundane images. Layton is a self-proclaimed "public exhibitionist," and his frank, bawdy verse and antagonist persona have tended to alienate him from both intellectual circles and the general public.

Layton has published 40 or so volumes of poetry, some with outrageous titles such as The Gucci Bag (1983), For My Brother Jesus (1976), and Droppings from Heaven (1979). Much of his work is in print, a testament to his continuing popularity, and supports his declaration that the "poet has a public function as a prophet."

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