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The Story of the Stone

The Story of the Stone( )
Author: Cao Xue Qin,
Contribution by: Editions, Mint
Series title:Mint Editions (Voices from API) Ser.
ISBN:978-1-5132-6892-7
Publication Date:Dec 2020
Publisher:Mint Editions
Book Format:Paperback
List Price:USD $41.99
Book Description:

For generations, the Jia family is held in high esteem but when they lose favor with the emperor, their luxury lifestyle comes to an end. The Story of the Stone focuses on internal and external conflicts that arise as they adjust to their unexpected plight.

Jia Baoyu is heir to a prestigious family, that's held multiple imperial titles throughout the years. Despite their history and social standing, they are targeted by the emperor who strips them of their land...
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Book Details
Pages:1042
Physical Dimensions (W X L X H):5 x 8 Inches
Book Weight:0.002 Pounds
Author Biography
Xueqin, Cao (Author)
Born into a wealthy clan of bondservants to the Manchu imperial family that for three generations had controlled China's textile monopoly in Nanking, Cao Xue Qin (also known as Ts'ao Chang) spent his childhood and adolescence in a large extended family surrounded by opulence. When Cao was 13, in 1728, the Yung-cheng emperor, suspicious of the Cao family's possible ties to rival claimants of the throne and dissatisfied with their performance in Nanking, confiscated the family property. The family was forced to move to Peking and spend the rest of their lives in greatly reduced circumstances.

In his lonely middle years, Cao comforted himself by composing the brilliant long novel known as The Dream of the Red Chamber (1792) and also as The Story of the Stone. The work is both a nostalgic recreation of the golden world of his childhood, and a Buddhist and Taoist warning that worldly achievements and material possessions are vain and unenduring.

The last 40 chapters of the 120-chapter novel were written or edited by a second author, Kao O [Gao E]. That Manchu nobleman more or less followed Cao's original intentions, probably worked from rough drafts of Cao's. However, there is some evidence that Cao originally intended the work to end even more starkly and tragically than it does. Political prudence, however, made it necessary for Kao O to tone down what might have been perceived as criticism of the family's harsh treatment by the emperor.

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