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Three Revenge Tragedies

The Changeling- Salgado Gamini-Editor, Intro and Notes

Three Revenge Tragedies( )
Author: Middleton, Thomas
Cyril Tourneur, John Webster
Tourneur, Cyril
Webster, John
Tourneur, Cyril
Webster, John
Editor: Salgado, Gamini
Foreword by: Salgado, Gamini
Introduction by: Salgado, Gamini
ISBN:978-0-14-144124-5
Publication Date:Apr 2005
Publisher:Penguin Publishing Group
Imprint:Penguin Classics
Book Format:Paperback
List Price:USD $17.00
Book Description:

Following the end of Queen Elizabeth's reign in the early seventeenth century, the new court of King James was beset by political instability and moral corruption. This atmosphere provided fertile ground for the dramatists of the age, whose plays explore the ways in which social decadence and the abuse of power breed resentment and lead inexorably to violence and bloody retribution. In Tourneur's The Revenger's Tragedy, the debauched son of an Italian Duke attempts to rape the virtuous...
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Book Details
Pages:368
Detailed Subjects: Literary Criticism / Drama
Physical Dimensions (W X L X H):4.953 x 7.761 x 0.936 Inches
Book Weight:0.656 Pounds
Author Biography
Middleton, Thomas (Author)
Thomas Middleton, 1580-1627 Middleton wrote in a wide variety of genres and styles, and was a thoroughly professional dramatist. His comedies were generally based on London life but seen through the perspective of Roman comedy, especially those of Plautus. Middleton is a masterful constructor of plots. "A Chaste Maid in Cheapside" (1630) is typical of Middleton's interests. It is biting and satirical in tone: the crassness of the willing cuckold Allwit is almost frightening. Middleton was very preoccupied with sexual themes, especially in his tragedies, "The Changeling" (1622), written with William Rowley, and "Women Beware Women" (1621). The portraits of women in these plays are remarkable. Both Beatrice-Joanna in "The Changeling" and Bianca in "Women Beware Women" move swiftly from innocence to corruption, and Livia in "Women Beware Women" is noteworthy as a feminine Machiavelli and manipulator. In his psychological realism and his powerful vision of evil, Middleton resembles Shakespeare.

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