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Tourism

Tourism( )
Author: Bellamy, Rufus
Fletcher, John
Wanhill, Stephen
Gilbert, David
Fyall, Alan
ISBN:978-1-4058-7323-9
Publication Date:Jan 2008
Publisher:Financial Times/Prentice Hall
Book Format:Paperback
Digital product license key
List Price:USD $99.50
Book Description:

This text introduces the fundamental principles of tourism and provides a framework that effectively integrates theory and practice. A global and diverse spread of examples shows the impacts and influences of this fast-changing industry on its environment and vice versa.

Companion website includes an Instructor's Manual and Powerpoint slides for the tutor; self-assessment questions, weblinks and a glossary of key terms for the student.

Suitable for a wide range...
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Book Details
Physical Dimensions (W X L X H):7.839 x 10.296 x 1.248 Inches
Book Weight:3.59 Pounds
Author Biography
Bellamy, Rufus (Author)
The team of Francis Beaumont (1584-1616) and John Fletcher (1579-1625) wrote some of the most popular dramas of Elizabethan England.

Beaumont and Fletcher began to work together in about 1606 and continued their partnership until Beaumont's retirement in 1613. Beaumont apparently was the primary plotter of their plays, while Fletcher had a strong flair for language. Their comedies and tragedies include The Woman Hater, The Coxcomb, A Maid's Tragedy, The Knight of the Burning Pestle, Wit Without Money, and Philaster, Or Love Lies A Bleeding. Fletcher wrote several plays alone as well, such as the comedy The Wild Goose Chase (1621) and the tragedy Bonduca (1614). Cardenio, or the Second Maiden's Tragedy, and Two Noble Kinsmen are attributed to Fletcher, although there has been some speculation he collaborated on these with Shakespeare.

Beaumont and Fletcher's work is energetic, full of stage thrills, declamatory speeches and bizarre plots. Though it is not as rich and unified as that of some of their contemporaries including Shakespeare and Webster, it influenced the development of Restoration comedy and tragedy, and thus played an important role in the history of drama.

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